162 - Alpha
[LISTEN]
Absence makes the heart grow fonder. Fear makes the heart grow louder. And death makes the heart grow flowers. Welcome to Night Vale.
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Amelia Anna Alfaro was always the best at everything. On the day she was born, she was named the healthiest baby at Night Vale General Hospital. The doctors had never seen a healthier baby. "What a healthy baby," they said from behind a bulletproof two-way mirror as they operated the robotic arms that carefully held the infant aloft.
The doctors high-fived each other, missing slightly. (The trick by the way, is to keep your eye on the other person’s elbow. That, or glue high-powered magnets to each person’s hand.) And all of the nurses cheered from dozens of feet down the hallway where they were playing with a standard Tarot Deck, common in most Neonatal Units. This cheering was unrelated to Amelia’s birth. The nurses had drawn The Ten of Swords, which is everyone's favorite card. It features a relaxed man receiving acupuncture by a river.
Amelia learned to walk at 4 months, and to talk at 6 months. She read Plato's Republic for the first time at age 4. She taught herself German and began to write sonnets in that language at age 7. At age 10, she won her first engineering competition after designing a concrete canoe that could float, even on the most turbulent water. There is no body of water in Night Vale, so she had to prove her work using a software she wrote that generated three-dimensional models to corroborate her advanced mechanical physics formulas.
She even won the state spelling bee, 5 years in a row, from ages 9 to 13. Her streak was only broken when the spelling bee was cancelled after the sponsors lost their dictionary.
Amelia was always the best, and her mother knew it. Her mother was proud of her daughter, or rather, her mother was proud of herself for producing such a daughter, or rather, she was proud of both in a way that was difficult for her to untangle.
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Amelia's mother was named Yvette. Yvette could not afford much for her daughter. She worked long hours to earn the respect of her bosses, which garnered her promotions and larger paychecks, but Yvette had hit the glass ceiling. She did not want this limitation for her daughter. Her daughter would need to be smarter, more talented, and more driven than she. Yvette wanted Amelia's value to the world to be so great, that no one could deny her success.
Yvette recognized Amelia's specialness, and pushed hard to make her even more special, signing Amelia up for athletics and adult-learning classes and piano lessons. Amelia sometimes pushed against this.
"Mother I don't want to" was met with "But you will, Amelia."
"Why" was met with "Because I said so"
"I hate you for this" was met with "You will love me for it later"
Begrudgingly Amelia fulfilled her mother's wishes. It wasn't because she understood her mother's motivation to secure her child a better life. Nor was it because Amelia did not have the stomach to fight back. No, Amelia did it because it all came so easy. She was a black belt, a sharpshooter, an Academic Decathlon champion. She wrote her first novel at age 12. It was called "A Golden Age for Parachuting," in which an all-Jewish female parachute team wins Olympic Gold in 1936 Berlin, in front of Adolph Hitler. In the publisher's rejection letter, the editor said the novel was quote "immaculately written, however parachuting stories are out of vogue. Do you have anything about Magical Baseball Players?" Amelia did. It was a novel called "One Last Swing for the Tuesday Boys," but she had written it in German and did not have time to translate the "Dienstagsjungen" (pronounce DEENS tocks Yoong en) manuscript because she was currently taking a course on bird husbandry.
Yvette enrolled the teenage Amelia in night classes at the community college, where she took English 113: Sonnets are for Lovers, Structural Engineering 212: 'Buttress' is a Funny Word, and Meteorology 301: Clouds, Y'all. Am I right?
She earned all A's and scores of college credits long before she even graduated high school. None of these challenges were difficult for Amelia. She was the best at everything.
But her life was not perfect, because of the voices. It was the voices that made life hard for Amelia. From birth, she heard the constant chatter of dozens of people. None of the voices spoke directly to Amelia, they just talked and talked about their lives. Amelia was afraid of the voices, and what the voices might imply about herself.
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She found solace in puzzles. Crosswords, Nonograms (pronounced NON uh grams), Acrostics, Cryptics, Sudoku, which I think is the one where you have to catch a bunch of marbles with a lever-operated hippopotamus.
Her mother hated Amelia's puzzle vice. If she caught Amelia doing puzzles, Yvette would make Amelia go practice archery, or write poetry, or at least listen to classical music. (Amelia's favorite was Van Cliburn's masterful 1961 record of Rachmaninoff's Piano Concerto Number 13: "Knuckles on the Black Keys").
When she was thinking through the solution of a puzzle, the voices did not speak to her. All was silent. It was her only time of peace. It was the only time her body could rest and curl up comfortably into her own thoughts. Anything that took her away from her logic problems, including music, no matter how soothing, invited the voices back into Amelia's thoughts.
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Amelia was accepted to several top colleges across the country including MIT, Stanford, Rice, and The University of What It Is, but she wanted to stay near her hometown and her family, so she went to State. (That's where my brother-in-law went. Go State!)
She was elected the youngest president of the student body ever at age 17 and graduated valedictorian 2 years later.
Her friends, her professors, her mother, all knew the world was Amelia's. She could become poet laureate, or a Senator, or a supreme court justice, or a quantum physicist, but she became none of those. This is not to say Amelia was not successful, or that she amounted to nothing. It is to say the semantics of success were her own, and no one else's.
Amelia became an air traffic controller.
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The voices never told Amelia to become an air traffic controller. They were never that specific.
The voices did not tell her to do anything. They simply talked, about first dates, about apartment hunting, about their grandmother's improved health, about a bad movie they sort of loved. None of the voices talked directly to her. It was simply as though she overheard conversations from lives lived somewhere else. Other people and their quotidien hopes and worries and interests.
She tried seeing therapists and psychiatrists. She tried medications to stop the voices, but nothing worked. Eventually she decided they were not harmful voices, and that she was not dealing with schizophrenia. She simply heard people talking, at all hours, about all things, having nothing to do with her. And they never told her to become an air traffic controller.
Amelia chose her own career, her own path. Others thought the reason was that it was the first job opportunity to present itself, or maybe it was her admiration of aircraft. Maybe a moral sense of serving humanity through public safety and comfort.
In fact it was none of those reasons, but it should not be surprising to know that Amelia was very good at air traffic control. She was calm, clear, and efficient.
The Night Vale International Airport - although when Amelia started, it was just a commuter hub - has never had a high volume of plane traffic, and almost all of those are departures. There are very few arrivals.
My husband Carlos - he's a scientist and is also very good at his job - tells me that it's impossible to have far more departures than arrivals. But I told him "Not everything has to make sense all of the time."
So in some ways, air traffic control in Night Vale was easier for Amelia than just about any other class or job or task she'd ever attempted. It appeared from the outside to be far below her capabilities.
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She held that job for 20 years, even taking over as president of the Night Vale Chapter of the Air Traffic Controllers union. In 2004, she was featured on the cover of Affirmative!, a monthly trade magazine for Air Traffic Controllers. The headline of the article was "You're Cleared for Success". In 2006, she was asked to deliver the keynote speech at the annual RogerCon, a convention for air traffic controllers and fans of air traffic control. It's a huge deal, held every year in Orlando. People dress up like their favorite airline pilots and wait in long lines for autographs from top flight attendants. There are even panel discussions about everything from the best textiles for seat cushions to secret first class meal offerings.
Amelia was the best at what she did. She probably would have been the best poet laureate or senator, but this was the path she chose.
She chose this path because of the voices. Not from what they said, but what they didn't say. When Amelia was in the control tower, when she was communicating with captains and co-pilots and navigators, her head was clear. All was silent. It was like those many nights, sneaking a copy of the crossword from the newspaper on the kitchenette and solving it by flashlight under her covers.
She became an air traffic controller to be by herself, to become her own person. Her mother was disappointed but loved her in spite of it. Her professors were let down but still had many fabulous stories of their greatest student. Her friends were just happy she was happy.
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Things changed on June 15, 2012, when Delta flight 18713 made radio contact.
In her tall tower, at her tiny airport, in the middle of a vast desert, in the middle of the American Southwest, an airplane appeared on Amelia’s radar. It was carrying 143 passengers and 6 crew members, and was flying from Detroit to Albany, over the Great Lakes, in the American Northeast,
It appeared briefly, the green dot blinking in and out of existence like the sun glinting off a water ripple. It was almost unnoticeable. But everyone noticed it. Later, Amelia was the only one who admitted to noticing it.
The radio transmission was equally brief, a surge of static and only one word, difficult to discern, but she heard it.
"Alpha" was the single word, the letter A in the NATO alphabet. It was garbled, so maybe it wasn't that word. Maybe it was a more adult variation of "Oh fudge." Alpha. Oh Fudge. It was unclear.
Amelia requested identification of the aircraft. She requested further communication, but nothing came. As soon as it had squawked, it had gone silent.
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But while the radio communication was silent, the voices were not. On June 15, 2012, upon hearing a word that sounded like “Alpha” these myriad conversations returned. No one else in the tower could hear them, but Amelia Anna Alfaro could. And for the first time in her life, she began to speak back to them. Everyone else in the tower could hear that.
The voices did not cease. The voices continued for days and days, and Amelia tried to talk back with them. As one voice said "I have an interview on Monday," Amelia would ask "For what job?" or if a voice said "We went to Palm Springs on vacation," Amelia would say "Did you also travel out to the Salton Sea?" But over and over, no response.
The voices did not affect the quality of Amelia's work, but it affected the perceived quality of her work, and her colleagues became uncomfortable with and distrusting of Amelia.
A month later, Amelia heard that word again from one of the voices: "Alpha." It was the same voice that radioed in June. But upon hearing it again, she realized that they didn't say "Alpha" at all.
What they said, coming up. But first the Weather.
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WEATHER: “Skinchanger” by Skeptic
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The voice had said "Alfaro." The word had been truncated just as the airplane's appearance in Night Vale had been truncated. The voice saying the word was the captain of the aircraft, and he had been trying to tell Amelia something. The pilot was trying to tell Amelia that he knew her, had always known her, since her birth. He didn't know how he knew her, just that he did, and he wanted to tell her he had found her, and she should find him.
"Where are you?" Amelia asked the captain.
"No Where" the voice said.
"Did you land?" Amelia asked.
"Yes," the voice said.
"Were there injuries?" Amelia asked.
"Minor" the voice said.
"Do you hear the other voices, too?" Amelia asked.
"Yes," the captain said. "I'm with them right now. Find us, Amelia."
"Where are you?" Amelia asked again, louder, more scared than before.
"No Where," the voice said, not like the vague concept of "in no place" but No Where, two words, capitalized, like the name of a specific place.
Amelia felt a tap on her shoulder. It was another air traffic controller. "Boss wants to see you, Amelia" they said.
But Amelia did not go see the boss. She knew. She knew her time in the tower was done.
She grabbed her belongings and walked to the elevator, out across the tarmac, to a shuttle, to a parking lot, and into her car. And no one saw her again.
Her friends said she always talked about going back to school to get an advanced degree. Maybe she went to Stanford or Rice or The University of What It Is. Other friends said she had lost all touch with reality, talking to people who were not there, and maybe her mother checked Amelia into the Night Vale Asylum.
Yvette says Amelia knew too much, that agents from a vague yet menacing government agency had been to her house, and that Amelia must have been taken to a secret location.
Representatives from the National Safety and Transportation Bureau in Washington, DC, came to Night Vale two months ago to investigate the disappearance of flight 18713. They are on an undercover mission inside the Night Vale Asylum, right now, on a tip from Sheriff Sam, to discover more clues into this mystery.
Perhaps Amelia is in there too. But I don’t think so. I think she went to find the plane. I think the voices were the passengers on Delta 18713. I think she set out looking for them, perhaps wandering the desert, the great No Where, to find the people who had been a part of her life since birth.
Amelia Anna Alfaro was always the best at everything, and if anyone will find the plane, she will.
Stay tuned next for our new investment advice show "Billionaire Roulette."
And as always, good night, Night Vale. Good night.
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PROVERB: Love means never having to say you're a werewolf.